Issue 51 - Big Vision

Issue 51 - Big Vision
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This issue of Public Art Review is filled with stunning public art and profiles of daring artists. We look at how an artist in Alberta stopped big oil by turning his land into a work of art, and how temporary work by Chinese artist Ai Weiwei and Navajo artist Bert Benally in the remote New Mexico desert is now being shared with thousands using new technology. We delve into the relationships between artists and fabricators, who pays for public art, why mapping cultural assets is now essential, and how the French city of Nantes reinvented itself by committing to investment in art.

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